Monday, April 23, 2012

FIREWORKS



So in the spirit of retroactive blogging, here's my post about the Animal Collective song/video Fireworks.

In high school, I had two friends who I still love dearly to this day. back then however, they were more often than not complete dicks. One of their favorite things to be dicks about was music. They were staunch believers in Pitchfork's merit and held their tastes for lo-fi noise punk, and baroque-harmonic-folk-pop in fairly high esteem. Though sometimes I travelled in similar spheres, most of my favorite bands were strictly allocated to punk rock genres.

However, one song that they played over and over did resonate pretty strongly with me. It was by a decidedly weird electro-pop band of modest fame and tremendous Indie cred; Animal Collective. the song was Fireworks. To uphold my dignity, (or at least save myself the exposed shame of liking an electronica band) I kept my small   fling with the song a secret. I didn't buy it on itunes or, god forbid, go all out an get the band's cd. Instead I listened to the song every night on youtube over and over again, with the strange music video playing in the background as I mineswept. My fling turned into a passion and eventually grew to a throbbing love. I listened to the song so much I knew all the words. Then I listened to it so much that I could sing the strange looping doo-wops that Animal Collective presents as a breakdown (or verse or something I don't know music terms). Then I was found out.

My friend Andrew, one of the dicks, came over and saw the video open on my computer screen from the night before. I tried to exit out before he could bare witness to my horrible horrible habit, but he saw it and recognized the screen shot. I knew I was going to get the come-upance I deserved (to be fair I may have been a little dickish in my punk rock pretentions as well), but to my surprise Andrew held back. Instead he showed me a second song from the same album, For Reverand Green, and it was like seeing Fireworks' hot sister, who was a little bit less of my thing but still a total babe.

From then on I started letting down my walls of music little by little, and realized my friends may have been complete assholes, but they did have some fairly solid tatstes in music. I even learned to love lo-fi noise punk, which makes complete sense in retrospect. So thanks Fireworks, without you i might still be listening to that same Ramones six times every day for the rest of my life.

Delayed Comments

As a lot of my classmates probably just noticed, I retroactively commented on a bunch of their blog posts from earlier in the semester tonight/tomorrow morning. I did this because I was lazy early on. A procrastinator on almost everything possible in my life, I find myself doing things like this a lot. There are good and bad (mostly bad) things about this approach, but it does give me unique perspectives occasionally. This was definitely one of them.

This time I realized that I missed out. This is, as I can attest to from experience, one of the worst realizations after a considerable procrastination. Reading through everyone else's posts, I realized that I had been missing out, not only on some pretty awesome writing and interesting shit, but on a type of community that we definitely couldn't foster solely in the classroom. In the last two hours I learned way more about the people I'd been in class with for the past four months, or whatever it's been, than I had spending three hours a week in class with them.

Though I can go through and read the posts, and comment like there's no tomorrow, I'm not going to get the same thing as I would have if I had read them when they were posted, when i was supposed to. I'm pretty upset at this and it very well may have changed how I deal with class blogs in the future.

I started this year with a plethora of blogs for my classes and found them incredibly cumbersome. I hate the internet for what it's done to school. It hass let me honestly never be free of it, which is kind of an ironic curse since I don't actually have internet where I live. After reading all the blog posts for this class however, I think there is some benefit to having it. It lets us build something we probably couldn't do otherwise and share really interesting things that may or may not have a place in the classroom.

So I'll see if my ways really have been changed but, as for right now, I'm a staunch believer in the worth of this thing.

Friday, April 13, 2012

Abbey Rocks with "Desert Solitaire"

Self-imposed isolation is Edward Abbey’s prescribed method for getting to the potential heart (he himself questions if there is one) of nature. Alone in the vast highland desert of Utah’s Arches National Monument, surrounded by harsh, dry rock and life spread thin, Abbey documents his time as a park ranger. However, this book does not deplore the desert as a wasteland, a biome of outcasts and miscreants, the dangerous wily cousins of more pleasing climates, instead Abbey paints the desert as unique and full, if not packed, of beautiful life and austere landscapes. He does so with an intense sincerity that so often makes the reader feel a little uneasy, perhaps even voyeuristic, as if looking too closely at a man alone with the one thing that truly bestirs his inner being to its fullest. This is quickly forgotten in light of Abbey’s encompassing prose that captures in impressive depth what it’s like to be immersed in the rugged beauty of America’s driest places.
                Abbey, alone in the desert for the majority of two full seasons of park work clearly has the time to, if nothing else, observe, and that he does with a keen eye and crisp, descriptive, but flowing language. “The various forms of chalcedony…are strewn freely over the dismal clay hills along Salt Creek. Here you will find tiny crystals of garnet embedded in a matrix of mica schist—almandite or ‘common garnet’.” Abbey covers everything from in depth biology and botany to geology and astronomy with surprising ease, flowing in and out of technical knowledge with the deftness of a man who knows without question the land on which he lives. It is in these sections that Abbey seems the most at ease. The pages slide together in an easy blend of information and narration, and the peace of mind Abbey must feel, alone in his element, is obvious.
                Between these sections, indeed sometimes bleeding into them, is Abbey’s social theory, his cantankerous, albeit well-founded and thoroughly rational, ideals about nature and America. Abbey’s dogma, his source of inspiration other than nature itself, seems to be that human beings, specifically American capitalists, are endangering what could be called “wilderness” like never before. While these pages are filled with malice and some surprisingly unsettling ideas (Abbey says he would rather kill a man than a snake), they are clear and cutting. Abbey shows nature as it appears to be in America; shrinking, slowly becoming another Disneyland, something kept alive for the sake of tourists in cars. This contrast between Abbey’s absolute love of the desert is powerful and complete, showing both his own character and that of the America of the late 60’s.
                Desert Solitaire is a true testament to nature, and to the uniqueness of finding oneself absolutely alone in it. Abbey weaves his way through the complexities of American culture and the problems of capitalism. What he ends up with is a book about the loneliness of being human, and the solace of forgetting it.  

Monday, April 9, 2012

Review Reviews

                The New York Times review definitely seems more focused on putting the book into a context that fits within its own magazine’s previous reviews and maybe even the author’s specific reviews. It also focused a lot on comparing different aspects of recent nonfiction works (not only the relative merit of authors but also of magazines). However, once that was over and the reviewer had situated the book, the focus seemed to be much more about the content of the book and what the author was actually doing within the page. This was definitely different than most of the NPR review, NPR only gave a hint about the content of the book itself, deciding to focus mostly on praise for the author and the merit of his work in general. The New York Times also spent much more time on the author’s history and how that factored into his work. This could be accounted for by the fact that most people reading a New York Times book review are looking for slightly more description, more of a complete story, than those reading something on NPR or Amazon. This shows the range of each of these reviews. A review on NPR is more like an endorsement most of the times because, in general, NPR only reviews books that they think are worth reading. The New York Times however, (I just read a review of Jonathon Franzen’s Freedom from the Times that definitely proves this) can use the review as a sounding board for more of a general opinion piece about the state of modern writing and how the book actually fits into it. Amazon is different than both of these reviewers in that it is completely based on whether or not the person reading it should buy the book. Also, because other people can decide how “helpful” these reviews are, it is more of a public opinion, rather than individuals who may or may not reflect what is accepted in a larger context.

Saturday, April 7, 2012

Dog Parks

I love dogs. They make me really happy and I think, almost without exception, that they're all pretty damn cute. 

EXCEPTION:

I'm honestly sorry for spreading that image, especially since it would be pretty pessimistic to only give you the negative side to dog cuteness SO...


Regardless of cuteness, I do love being around dogs which is why it's weird that I've never been to a dog park before today. However, after going I can honestly say that I will frequent them as much as possible now. Being there was like having all the shit I hate in the world melt out of me and having it replaced solely by giggles. 

Here are the top five things I saw (I was there for 20 minutes and I have more than 5 things I loved!):

1. Feeling like there was something crawling on my toes, then freaking out thinking it was some terrifying and disgusting beetle-type insect, and realizing it was actually a wiener dog licking me.

2. Seeing an adorable little girl hug an adorable puppy that was roughly the same size as her.

3. Turning around and seeing a herd of flat-faced, bug-eyed pugs running at me. I actually coined the term Puggle as describing a group of pugs at that point. 

4. Seeing one of those pugs be so confused by a little girl (same one from #2), that he stood about 8 feet from her and barked and looked around at the rest of his Puggle wondering why no one else was freaking out at this tiny tiny human. 

5. Seeing the dog's owners talking and laughing and basically being nice to complete strangers. 

The only problem is that I don't actually own a dog and (though this may be a specific rule to this dog park) unfortunately you're not allowed in if you don't have one with you.  

 

Friday, March 30, 2012

North Carolina Memoir

Here's a link to the "video" of my memoir. It's actually just an audio story with one picture so I could find a way to get it online.

http://www.youtube.com/watch?v=9VfovBL1uEo&feature=youtu.be

Saturday, March 24, 2012

10 Ways Steve Almond Slayed me With Humor in 12 Pages

1.Lies
 First off the title of this post is a lie. I will not be outlining 10 different ways that Steve Almond used humor in his story. I'm hoping the minor comedic value it has will overshadow any disappointment. In fact you;re probably happy it won't be ten sections long, it would be a bit of a stretch to finish that and would make this whole thing arduous to read. 

2. Something Real
 OK so even though this whole list thing may not be completely accurate, in the actual story it does have a fairly significant function. The sections are all pretty much the same in terms of content structure: first he is scared and confused about how he should act, then he acts in what could be a proper or improper manner, then he thinks he kills his baby, then he's somewhat reassured that he hasn't. If the story was one straight block of these instances without a break, it would be way too oppressively similar paragraph after paragraph. By breaking it up, and adding a descriptive title to each section-head, he makes this more episodic and thus funnier because it's easy to see how each one is essentially the same, without him seeing it. I think that's some form of irony, maybe dramatic, is dramatic irony funny? Who am I to judge.

3.Apology
 So I know that itself (point 2) is fairly long and block-like, probably boring too. I'm sorry for deceiving you into thinking that this numbered section thing would be any better than a regular post. 

4. Self-Deprecation
I'm sure Steve Almond is not a completely incompetent person. He does do a pretty good job of making us (as readers (I guess I'm making the assumption that I'm not the only one)) believe that he is somewhat of an idiot, a caring, genuinely terrified, neurotic idiot but still kind of an idiot. This is not only funny, but makes the story much more endearing too. He gets us on his side and lets everyone feel the fear and anxiety he does, grounding the humor in reality so its not just a farce or whatever.

5. Self-Defecation
Another title pun, this one equally as shitty (hahaha) as the first. He puts poop jokes in the story. Everyone likes poop jokes. Simple as that.

6. Not much More
His personal experiences melded well with what seemed like the actual events. He put the brief perspectives of his wife and the nurses to counter him as an unreliable narrator. This way we could see the whole picture in a true lens (from both perspectives).

7. That's it
Only got to 7. Still pretty good though.

Thursday, March 1, 2012

Advice Immersion Project


Ben Gurley
3614 Bates Street
Pittsburgh PA, 15213


Advice
Some waiting rooms lend themselves to embodying what it is being waited for. The waiting room at the University of Pittsburgh undergraduate, arts and sciences advising center is one such place. Spread out across an unnerving expanse that appears to be designed more as a party area at a bowling alley, with more wall mounted flat screens playing CNN, it requires students to isolate themselves on oddly long, hard wooden benches or strangely placed plastic tables, and wait expectantly to head down one of a half dozen seemingly identical hallways. In this limbo, as the student watches news unfold or checks and rechecks their cell phones, their advisor walks out and calls the student, by first name, into their office.
            These students that do the waiting, and in turn receive advising, in general, fit a particular profile. They have, by the nature of arts and science advising, not yet chosen a specific major. This means that most of them are freshman and sophomores. However, despite these similarities, the students that go into these advising appointments have drastically different goals, ideas about their futures, and, in turn, relationships with their advisors. This is in part because “arts and sciences” is, for all intents and purposes the pivot point of students’ decisions. Some of them come in knowing what major they are looking to join; some have been conditionally accepted to other schools (i.e. engineering, business, nursing, etc.), and even more have little idea about what they want to do. Given this hugely diverse group of students, with incredibly wide-ranging needs, the “arts and sciences” advisors themselves have their work cut out for them.
            Janna Zuroski is one of these advisors. Janna’s office is brightly lit, with a large desk flat against one wall and three solid looking, no-nonsense office chairs. She sits at one, half turned towards her computer, half towards Kaitlyn, a freshman who is there to start picking classes for the fall semester. Janna maneuvers through a series of online forms and class matrixes as she asks Kaitlyn how her semester is going so far. She is bright and enthusiastic and seems genuinely interested in Kaitlyn’s answers. Kaitlyn in turn appears comfortable and invested in the conversation. Soon, after the discussion finishes with the current semester, Janna directs focus to the computer and the process of signing up for next semester’s classes.  As far as “arts and sciences” advising appointments go, Kaitlyn’s is not typical.  She has been conditionally accepted into the pharmacy school at Pitt following the completion of her sophomore year. This means that she must follow a rigid set of guidelines as far as scheduling and class selection is concerned. Janna goes through all of this with her step by step. It is methodical and both of them are obviously prepared. A subtle change comes over both Kaitlyn and Janna as they discuss this process. Where before, the conversation bounced around Janna talked as much or more than Kaitlyn, now Kaitlyn outlines specifically what she wants to do and Janna responds with only as much information as is needed. Janna describes the reasons for this switch, “The pharmacy people know exactly what they need. They’re very on top of it.”
                        Kathleen Murphy, a veteran advisor of twenty nine years, someone who has been with the advising center since she was a graduate student, outlines simply what the goal of the advisors really is, “We want to make them feel like they can succeed.” If Janna Zuroski’s office is bright and sparse and very office-like, Kathleen Murphy’s is the opposite. Kathleen’s desk dominates the room and is covered in papers and pamphlets and, for a complete lack of a better word, knick-knacks. It is lit by a small desk lamp and a string of white Christmas tree lights. It is dim but feels comfortable and well-worn, lived in. There is a book shelf dominated by languages other than English, Kathleen speaks five of them. Kathleen herself is thin and tall. Her jaw is pointed and strong and her eyes intense. She moves and talks with a constant and completely organic feeling confidence. She is blunt and honest and as far as it seems, unafraid to talk about anything in any way.
            Kathleen is one of the few remaining advisors, along with the advising director, Mary Beth Favorite, who have been at Pitt before a professional advising center existed. Back when she started, advisors were grad students who worked, at most, sixteen hours a week. Since then, Kathleen has seen the department grow to over a dozen full time employees and a myriad of technological resources. However, whether it be when she is advising or talking about advising, Kathleen does not focus on how important it is to have professionally trained, well groomed advisors, but instead people who honestly care about the students, something Janna Zuroski also echoed. She constantly talks about students exploring all opportunities and how incredibly important it is for advisors to act as connections to other parts of the university. In Kathleen’s words, her job is to, “orient them without overwhelming them.”
            The University of Pittsburgh’s website describes this process, at least in the first year.
Advisors are here to help you discover the University community. Learning about Dietrich School policies, procedures, services, programs, and resources is important to your success. During your first year, work with your academic advisor to answer the following questions: Why am I here? Where am I going with my academic career? How can I connect with faculty? In short, find a niche, connect with people and resources, and set yourself on a successful path. 1

This description fits perfectly into the goals outlined by advisors in person. The entire process is part of a planned and concerted effort to acclimate students to the academic side of college life as quickly and easily as possible.   
            Often the word mentor is used as a descriptor for the advisor/advisee relationship. However, mentor implies guidance in a specific direction, means to a certain end. What Kathleen Murphy, or Janna Zuroski, or Mary Beth Favorite describe, when they talk about advising is much more fluid. They describe watching timid freshman who have no idea what they are doing in college completely transform into essentially functional human beings. They describe watching them grow and take on challenges and responsibility.
            This process, in and of itself may not be unique to the “arts and sciences” advisors inherently, but there is a very unique dynamic involved. Since the college requires students to graduate with a major, no student will have their freshman advisor when they reach their senior year. The “arts and sciences” advisors exist like taxis to the airport; they are essential in transport, but never carry their students to the end of their journey. However, sometimes when the destination is not entirely known, this trip does not go so smoothly.

            In stark contrast to those students, like Kaitlyn the pre-pharm candidate, that know where they’re going or what they’re planning on doing with their education, the students that generally have the most problems with the advising center are those that have little to no idea as to what direction they want to take as an undergraduate. One such student is Madison Messina, an undeclared sophomore, “arts and sciences” advisee. Madison is solidly based in Liberal Arts classes, taking a range of courses involved with psychology, sociology, and political science. As she herself described however, “I still have no idea what major I would choose if I had to pick today.”
       Madison seems especially nervous about this fact when talking about her upcoming advising appointment, “I hate going in there and not being able to say anything about what I want to do next semester…it’s embarrassing.” She also talks about how difficult it is to usefully discuss prospects with her advisor, “It always ends up that she just gives me a list of like a hundred classes and I have no idea which ones I actually want to take.” This particular problem speaks to a large gap in what the advising center considers important and what some students really end up wanting from them. The advising department constantly stresses the fact that they are not there to “tell students” what they should or should do or what classes they should or should not take. This is designed so that students learn to maneuver themselves through the process of picking classes and thinking about their options. However, the simple truth is that, for some students, that is exactly what they do not want.
       Madison moves through the matrix of picking classes on her computer and talks about the specifics of her problems with it, “When I’m actually in the advising appointment we go through the classes I want to maybe take, but for some reason I can’t just sign up for them while I’m there. Then I have to wait a couple of days until my advisor takes the block off of my account and by that time most of the classes I wanted to take are already full and I have to pick more.” This illustrates the strange dynamic technology has developed with person-to-person advising and how it can present challenges and conflicts to the system and those involved. For students who take the general approach to picking classes, basically seeing what works with their schedule and what sounds interesting, a written course description can often serve as well as a person in terms of deciding which classes they find most interesting. A recent advising survey by Our Lady of the Lake University for undergraduate student outlined this problem statistically. The survey of “arts and sciences” students said that though more than eighty-five percent of students had help from their advisors in getting access to register for classes online, twenty-five percent of students still found that their advisors were not helping them in getting information about registering for the classes they needed to take.2

       For Madison, this process seems to make much more sense, “I don’t mind choosing classes by myself. At least that way I know I’ll know which ones are actually available.” However, this way of picking classes definitely leaves more room for error. Where the personal advisor can identify which classes are inherently useful in terms of graduating, a student on their own can often overlook or overemphasize certain areas, forgetting about requirements. This means that, especially for students who take a large variety of classes, it is easy to put yourself behind in terms of graduating on time by selecting classes by interest alone.
       At first glance, it would appear that Madison wants more freedom from her advisor, more chances to take the class selection process completely into her own hands. This is not the case. “I wish my advisor would just tell me what classes I should take, or give me a really small list to choose from. That would make it so much easier,” Madison said. This is a fundamental problem many advisors have with undeclared students and one that has not been at all remedied by the institution of more technology. Kathleen Murphy commented on this problem, “I wouldn’t necessarily be opposed to having a set freshman curriculum for undeclared students. Most of the time they’re going to be taking general education required courses anyway. More structure would make my life easier.”
       There is a line being approached with the idea of set, required curriculums. The point of “arts and sciences” advisors, as Kathleen Murphy constantly referenced, is to be a conduit for information, to act as a resource for the student, not to tell them what to do. What happens when those same sources for information become the absolute decision maker for incoming students? Would that benefit students like Madison more than inhibiting other students who really do enjoy the freedom of choosing their own courses? The system is inherently flawed in this regard, but it is not because of the system itself. There will always be students who want to be told what to do, who want more than anything to have some sort of set path. At the same time, there will always be advisors who see the benefit of allowing students to choose for themselves. The difference in these two factions is the difficulty in “arts and sciences”: does growth come through freedom or is setting a path the most important aspect?
            In such a challenging time for many students, advisors try to act as a small window of honesty and helpfulness. The “arts and sciences” advisors specifically, deal with the most confused and direction seeking of these generally lost individuals. They teach them how to pick classes and how to use the god-forsaken technology Pittsburgh chooses to use. They act as resources and fountains of knowledge about anything from how to do taxes to where to get a paper revised to how long to cook a turkey. They give advice to, teach, and care about their students and will keep doing it as long as there are students sitting in the waiting room wondering which hallway to go down. 

Advice Video Introduction

Saturday, February 25, 2012

Post For "Labor of Love"

It's no wonder that reality television wedding shows (i.e. bridezillas) have become so popular in today's celebrity obsessed culture. The biggest celebrity weddings today attract millions and sometimes billions of TV viewers from across the globe. In some cases, especially the recent atrocity that was the Kim Kardashian wedding, the only reason the weddings are televised are because of the star's relative fame because of reality TV in the first place!


imgres.jpg


This sick cycle of money and fame and fame and money and celebrity permeates culture from the top down (and by top I mean TV). When someone sees the extravagance and pomp of the "Kardashian Wedding" it's easy to understand the need to recreate that. Hell it's a beautiful thing, the wedding that is, it's the most carefully planned and executed show of love that exists in American society today.  

At the same time, it's completely relatable. Most people have gone to a wedding. Most people have gone to a nice wedding and a not-so-nice wedding. Most people would want their wedding to be one of the "nice" weddings. However, the problem comes when it's not just the niceness that's being recreated. The attention devoted to the entire situation; the cost and preparation, the wedding itself, the aftermath, and even the eventual (and almost definitely inevitable) divorce was voyeuristic to the extreme. 

imgres.jpg



The reality shows that exist documenting the trials and tribulations of (closer) to real life people in these situations serve as a kind of foil to the upper echelons of celebrity. These wedding shows show greedy and petty women fighting for absolute perfection at the detriment to others around them. It is this comparison that television audiences crave. They need the "real" reality stars to falter where the actual celebrities succeed. These shows make you want to punch the women in the face, not gaze on them adoringly as they walk down the aisle in a dress that costs more than most people make in a year. They need to, otherwise how would we be able to tell them apart from any other celebrity wedding?

Saturday, February 11, 2012

Why so curvy Pittsburgh?

I've lived in Pittsburgh for almost two years now. I also generally take solace in having a decent sense of direction. But, for some reason, I just can't get the Pittsburgh street-scape/layout into my head. The past two weekends I've ended up more or less hopelessly lost because my sense of direction was completely backwards (and I made decisions based on it).

Now I'm not saying that the possibility of me being an idiot hasn't crossed my mind (that's usually my first thought actually), but I don't think that's the only factor at play here. In the following lists I will outline what factors make Pittsburgh's roads impossible to conceptually grip.

Hills
1. They force roads to move in dimensions roads are not supposed to go (i.e. almost straight up, curvy)
2. They make it nigh impossible to plan out where you're going by sight alone.

Rivers
1. Force the roads to become goddamn bridges everywhere.
2. Break the city into distinct "districts" or regions

City Design
1. Pittsburgh is one of the least purposefully designed cities in the world

These factors combine to make one perfect storm of pissing me off and leaving me lost in Forest Hills without any bus options. I say we do some mountaintop removal and make a couple land bridges.

Monday, February 6, 2012

Advice

Ben Gurley

3614 Bates Street

Pittsburgh PA, 15213






Advice

Some waiting rooms lend themselves to embodying what it is being waited for. The waiting room at the University of Pittsburgh undergraduate, arts and sciences advising center is one such place. Spread out across an unnerving expanse that appears to be designed more as a party area at a bowling alley, with more wall mounted flat screens playing CNN, it requires students to isolate themselves on oddly long, hard wooden benches or strangely placed plastic tables, and wait expectantly to head down one of a half dozen seemingly identical hallways. In this limbo, as the student watches news unfold or check and recheck their cell phones, their advisor walks out and calls the student, by first name, into their office.

                These students that do the waiting, and in turn receive advising, in general, fit a particular profile. They have, by the nature of arts and science advising, not yet chosen a specific major. This means that most of them are freshman and sophomores. However, despite these similarities, the students that go into these advising appointments have drastically different goals, ideas about their futures, and, in turn, relationships with their advisors. This is in part because “arts and sciences” is, for all intents and purposes the pivot point of students’ decisions. Some of them come in knowing what major they are looking to join; some have been conditionally accepted to other schools (i.e. engineering, business, nursing, etc.), and even more have little idea about what they want to do. Given this hugely diverse group of students, with incredibly wide-ranging needs, the “arts and sciences” advisors themselves have their work cut out for them.

                Janna Zuroski is one of these advisors. Janna’s office is brightly lit, with a large desk flat against one wall and three solid looking, no-nonsense office chairs. She sits at one, half turned towards her computer, half towards Kaitlyn, a freshman who is there to start picking classes for the fall semester. Janna maneuvers through a series of online forms and class matrixes as she asks Kaitlyn how her semester is going so far. She is bright and enthusiastic and seems genuinely interested in Kaitlyn’s answers. Kaitlyn in turn appears comfortable and invested in the conversation. Soon, after the discussion finishes with the current semester, Janna directs focus to the computer and the process of signing up for next semester’s classes.  As far as “arts and sciences” advising appointments go, Kaitlyn’s is not typical.  She has been conditionally accepted into the pharmacy school at Pitt following the completion of her sophomore year. This means that she must follow a rigid set of guidelines as far as scheduling and class selection is concerned. Janna goes through all of this with her step by step. It is methodical and both of them are obviously prepared. A subtle change comes over both Kaitlyn and Janna as they discuss this process. Where before, the conversation bounced around Janna talked as much or more than Kaitlyn, now Kaitlyn outlines specifically what she wants to do and Janna responds with only as much information as is needed. Janna describes the reasons for this switch, “The pharmacy people know exactly what they need. They’re very on top of it.”

                Not every student is a pre-pharm student though, and not every advising appointment goes the same way. Jon, an undeclared freshman, admits that he’s, “looking for advice as much as specific information as far as classes go.” This is common. However, in general the students that were going into the advising center were not looking for someone to tell them what to do. Over and over again students repeated, in some iteration, that what they wanted most of all was help “staying on track.” This makes sense in the context of most of their appointments. There are only two required student appointments for “arts and sciences” advising per semester. Most of the time students spend deciding what classes to take and which majors to consider happens outside of these small periods of time actually physically with their advisor. This makes the appointments more about the advisors reassuring students that they are, in fact being productive, that the classes they are taking will end up helping them to some goal in the end, at least from the student point of view.

                Kathleen Murphy, a veteran advisor of twenty nine years, someone who has been with the advising center since she was a graduate student, outlines simply what the goal of the advisors really is, “We want to make them feel like they can succeed.” If Janna Zuroski’s office is bright and sparse and very office-like, Kathleen Murphy’s is the opposite. Kathleen’s desk dominates the room and is covered in papers and pamphlets and, for a complete lack of a better word, knick-knacks. It is lit by a small desk lamp and a string of white Christmas tree lights. It is dim but feels comfortable and well-worn, lived in. There is a book shelf dominated by languages other than English. Kathleen speaks five of them. Kathleen herself is thin and tall. Her jaw is pointed and strong and her eyes intense. She moves and talks with a constant and completely organic feeling confidence. She is blunt and honest and as far as it seems, unafraid to talk about anything in any way.

                Kathleen is one of the few remaining advisors, along with the advising director, Mary Beth Favorite, who have been at Pitt before a professional advising center existed. Back when she started, advisors were grad students who worked, at most, sixteen hours a week. Since then, Kathleen has seen the department grow to over a dozen full time employees and a myriad of technological resources. However, whether it be when she is advising or talking about advising, Kathleen does not focus on how important it is to have professionally trained, well groomed advisors, but instead people who honestly care about the students, something Janna Zuroski also echoed. She constantly talks about students exploring all opportunities and how incredibly important it is for advisors to act as connections to other parts of the university. In Kathleen’s words, her job is to, “orient them without overwhelming them.”

                Now that students and university systems alike are becoming more and more technologically connected, this orientation has become much more complicated. In every single advising appointment in “arts and sciences,” online interfaces work together with the personal advisors to help students find classes, check grades, and figure out what they need to do in order to graduate. Along with this, students have more and more opportunities to use these online advising supplements by themselves, without ever meeting face to face with a person. As with robotic assembly lines and digital phone operators, will it be that technology will gradually take the place, at least partially, of human advisors?

                Across the board, students within “arts and sciences’ said that they would not, in fact want to replace their advisors with only do it yourself style applications. Says sophomore Mike Stafford, “I would like to keep the split fifty-fifty with advisors and technology.” It is easy to see, when talking to Kathleen or Janna, or by watching them interact with a student, why this is. There is a unique relationship that exists between an advisor and their student. Often the word mentor is used as a descriptor for this relationship. However, mentor implies guidance in a specific direction, means to a certain end. What Kathleen Murphy, or Janna Zuroski, or Mary Beth Favorite describe, when they talk about advising is much more fluid. They describe watching timid freshman who have no idea what they are doing in college completely transform into essentially functional human beings. They describe watching them grow and take on challenges and responsibility.

                This process, in and of itself may not be unique to the “arts and sciences” advisors inherently, but there is a very unique dynamic involved. Since the college requires students to graduate with a major, no student will have their freshman advisor when they reach their senior year. The “arts and sciences” advisors exist like taxis to the airport; they are essential in transport, but never carry their students to the end of their journey. However, if you were to talk to Kathleen or Janna or any other “arts and sciences” advisor you would never see this as a negative. As Kathleen Murphy said about her fellow advisors, “The only people that are here are the ones that love what they do. The ones that don’t figure it out pretty quick and get out.”

                In such a challenging time for many students and young adults, advisors act as a small window of honesty and helpfulness and genuine compassion. The “arts and sciences” advisors specifically, deal with the most confused and direction seeking of these generally lost individuals. They teach them how to pick classes and how to use the god-forsaken technology Pittsburgh chooses to use. They act as resources and fountains of knowledge about anything from how to do taxes to where to get a paper revised to how long to cook a turkey. They mentor and teach and care about their students and will keep doing it as long as there are students sitting in the waiting room wondering which hallway to go down.

Monday, January 23, 2012

Background reading for college advising (and summaries because they are definitely not "light reading")

Many of these articles are from The Mentor which is an online academic journal focused solely on advising in higher education.

Here's a link!
http://dus.psu.edu/mentor/

One article from The Mentor called "Academic Advising at the University of Utopia" by Mark Lowenstein brought up an alternative take on college advising than is traditionally instituted. Lowenstein creates a fictional university (University of Utopia) and explains how this new, progressive form of advising becomes implimented. He makes the case that advising should be as much about teaching the concepts of connective learning as preparing a student for graduating or picking a specific major.


 This appears to be a simple change but, as Lowenstein describes, it leads to a fundamental shift in the focus of liberal arts education. It goes from creating a well-rounded but subject-oriented graduate to a student who is primarily focused on the cross-disciplinary apllications and connections of any given subject. Lowenstein's eventual point emphasizes this change as a way to prepare students to apply the subjects they've grasped AND their understanding of the broad principles of education to further academic pursuits and employment options; the point being that these two fields benefit equally from the new system.

Overall, this was fairly interesting but long winded and poorly set up. The whole "University of Utopia" idea was almost completely useless. He could have nullifed the entire thing by adding the sentence "in a perfect world....blah blah blah...but we all know this is purely hypothetical."
http://dus.psu.edu/mentor/2011/09/university-of-utopia/

In Mark Lowenstein's article, he mentions Liberal Education and America's Promise or LEAP. LEAP is essentially a program that attempts to categorize and emphasize specific goals for liberal arts-style education. Schools that adopt LEAP goals end up looking at advising as a pathway to achieve these goals. LEAP also functions as a way to bind diverse colleges and institutions into a framework that includes standardized principles and rubriks to evaluate those principles.

LEAP link: http://www.aacu.org/leap/


Another article from The Mentor tackles the more recent movement of students towards technological resources in advising, largely separate from their personal college advisor.

This article, http://dus.psu.edu/mentor/2011/09/internet-course-selection-resources/ is written by
Mary M. Livingston, Louisiana Tech University
Jerome J. Tobacyk, Louisiana Tech University
Margaret L. Hindman, Louisiana State University.

It talks about the complexities of advising a student who is using information available online, such as professor ratings, grade distributions,and scheduling aggragates. The article focuses most specifically on the fact that advisors need to be aware that students may be using these resources. It gives a compelling picture of how technology can work both with and against the goals of advisors.

Along with The Mentor, http://www.nacada.ksu.edu/AboutNACADA/index.htm which is the National Academic Advising Association has a good deal of information of advising in terms of advisors' goals and how to improve the system through top down, standardized objectives.

Joe Cuseo of Marymount College wrote an article entitled,
ACADEMIC ADVISEMENT AND STUDENT RETENTION: 
EMPIRICAL CONNECTIONS & SYSTEMIC INTERVENTIONS

This was incredibly dense and I have not in fact worked through it completely, though it is definitely dealing with the same ideas as the other resources I've discovered, though with a little more emphasis on student perspectives.

Wednesday, January 18, 2012

5 Ideas

1. Urban Exploration
2. Pitt Budget
3. Student Drinking/Parties
4. Campus Cooking
5. Superhero Culture