Saturday, February 25, 2012

Post For "Labor of Love"

It's no wonder that reality television wedding shows (i.e. bridezillas) have become so popular in today's celebrity obsessed culture. The biggest celebrity weddings today attract millions and sometimes billions of TV viewers from across the globe. In some cases, especially the recent atrocity that was the Kim Kardashian wedding, the only reason the weddings are televised are because of the star's relative fame because of reality TV in the first place!


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This sick cycle of money and fame and fame and money and celebrity permeates culture from the top down (and by top I mean TV). When someone sees the extravagance and pomp of the "Kardashian Wedding" it's easy to understand the need to recreate that. Hell it's a beautiful thing, the wedding that is, it's the most carefully planned and executed show of love that exists in American society today.  

At the same time, it's completely relatable. Most people have gone to a wedding. Most people have gone to a nice wedding and a not-so-nice wedding. Most people would want their wedding to be one of the "nice" weddings. However, the problem comes when it's not just the niceness that's being recreated. The attention devoted to the entire situation; the cost and preparation, the wedding itself, the aftermath, and even the eventual (and almost definitely inevitable) divorce was voyeuristic to the extreme. 

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The reality shows that exist documenting the trials and tribulations of (closer) to real life people in these situations serve as a kind of foil to the upper echelons of celebrity. These wedding shows show greedy and petty women fighting for absolute perfection at the detriment to others around them. It is this comparison that television audiences crave. They need the "real" reality stars to falter where the actual celebrities succeed. These shows make you want to punch the women in the face, not gaze on them adoringly as they walk down the aisle in a dress that costs more than most people make in a year. They need to, otherwise how would we be able to tell them apart from any other celebrity wedding?

Saturday, February 11, 2012

Why so curvy Pittsburgh?

I've lived in Pittsburgh for almost two years now. I also generally take solace in having a decent sense of direction. But, for some reason, I just can't get the Pittsburgh street-scape/layout into my head. The past two weekends I've ended up more or less hopelessly lost because my sense of direction was completely backwards (and I made decisions based on it).

Now I'm not saying that the possibility of me being an idiot hasn't crossed my mind (that's usually my first thought actually), but I don't think that's the only factor at play here. In the following lists I will outline what factors make Pittsburgh's roads impossible to conceptually grip.

Hills
1. They force roads to move in dimensions roads are not supposed to go (i.e. almost straight up, curvy)
2. They make it nigh impossible to plan out where you're going by sight alone.

Rivers
1. Force the roads to become goddamn bridges everywhere.
2. Break the city into distinct "districts" or regions

City Design
1. Pittsburgh is one of the least purposefully designed cities in the world

These factors combine to make one perfect storm of pissing me off and leaving me lost in Forest Hills without any bus options. I say we do some mountaintop removal and make a couple land bridges.

Monday, February 6, 2012

Advice

Ben Gurley

3614 Bates Street

Pittsburgh PA, 15213






Advice

Some waiting rooms lend themselves to embodying what it is being waited for. The waiting room at the University of Pittsburgh undergraduate, arts and sciences advising center is one such place. Spread out across an unnerving expanse that appears to be designed more as a party area at a bowling alley, with more wall mounted flat screens playing CNN, it requires students to isolate themselves on oddly long, hard wooden benches or strangely placed plastic tables, and wait expectantly to head down one of a half dozen seemingly identical hallways. In this limbo, as the student watches news unfold or check and recheck their cell phones, their advisor walks out and calls the student, by first name, into their office.

                These students that do the waiting, and in turn receive advising, in general, fit a particular profile. They have, by the nature of arts and science advising, not yet chosen a specific major. This means that most of them are freshman and sophomores. However, despite these similarities, the students that go into these advising appointments have drastically different goals, ideas about their futures, and, in turn, relationships with their advisors. This is in part because “arts and sciences” is, for all intents and purposes the pivot point of students’ decisions. Some of them come in knowing what major they are looking to join; some have been conditionally accepted to other schools (i.e. engineering, business, nursing, etc.), and even more have little idea about what they want to do. Given this hugely diverse group of students, with incredibly wide-ranging needs, the “arts and sciences” advisors themselves have their work cut out for them.

                Janna Zuroski is one of these advisors. Janna’s office is brightly lit, with a large desk flat against one wall and three solid looking, no-nonsense office chairs. She sits at one, half turned towards her computer, half towards Kaitlyn, a freshman who is there to start picking classes for the fall semester. Janna maneuvers through a series of online forms and class matrixes as she asks Kaitlyn how her semester is going so far. She is bright and enthusiastic and seems genuinely interested in Kaitlyn’s answers. Kaitlyn in turn appears comfortable and invested in the conversation. Soon, after the discussion finishes with the current semester, Janna directs focus to the computer and the process of signing up for next semester’s classes.  As far as “arts and sciences” advising appointments go, Kaitlyn’s is not typical.  She has been conditionally accepted into the pharmacy school at Pitt following the completion of her sophomore year. This means that she must follow a rigid set of guidelines as far as scheduling and class selection is concerned. Janna goes through all of this with her step by step. It is methodical and both of them are obviously prepared. A subtle change comes over both Kaitlyn and Janna as they discuss this process. Where before, the conversation bounced around Janna talked as much or more than Kaitlyn, now Kaitlyn outlines specifically what she wants to do and Janna responds with only as much information as is needed. Janna describes the reasons for this switch, “The pharmacy people know exactly what they need. They’re very on top of it.”

                Not every student is a pre-pharm student though, and not every advising appointment goes the same way. Jon, an undeclared freshman, admits that he’s, “looking for advice as much as specific information as far as classes go.” This is common. However, in general the students that were going into the advising center were not looking for someone to tell them what to do. Over and over again students repeated, in some iteration, that what they wanted most of all was help “staying on track.” This makes sense in the context of most of their appointments. There are only two required student appointments for “arts and sciences” advising per semester. Most of the time students spend deciding what classes to take and which majors to consider happens outside of these small periods of time actually physically with their advisor. This makes the appointments more about the advisors reassuring students that they are, in fact being productive, that the classes they are taking will end up helping them to some goal in the end, at least from the student point of view.

                Kathleen Murphy, a veteran advisor of twenty nine years, someone who has been with the advising center since she was a graduate student, outlines simply what the goal of the advisors really is, “We want to make them feel like they can succeed.” If Janna Zuroski’s office is bright and sparse and very office-like, Kathleen Murphy’s is the opposite. Kathleen’s desk dominates the room and is covered in papers and pamphlets and, for a complete lack of a better word, knick-knacks. It is lit by a small desk lamp and a string of white Christmas tree lights. It is dim but feels comfortable and well-worn, lived in. There is a book shelf dominated by languages other than English. Kathleen speaks five of them. Kathleen herself is thin and tall. Her jaw is pointed and strong and her eyes intense. She moves and talks with a constant and completely organic feeling confidence. She is blunt and honest and as far as it seems, unafraid to talk about anything in any way.

                Kathleen is one of the few remaining advisors, along with the advising director, Mary Beth Favorite, who have been at Pitt before a professional advising center existed. Back when she started, advisors were grad students who worked, at most, sixteen hours a week. Since then, Kathleen has seen the department grow to over a dozen full time employees and a myriad of technological resources. However, whether it be when she is advising or talking about advising, Kathleen does not focus on how important it is to have professionally trained, well groomed advisors, but instead people who honestly care about the students, something Janna Zuroski also echoed. She constantly talks about students exploring all opportunities and how incredibly important it is for advisors to act as connections to other parts of the university. In Kathleen’s words, her job is to, “orient them without overwhelming them.”

                Now that students and university systems alike are becoming more and more technologically connected, this orientation has become much more complicated. In every single advising appointment in “arts and sciences,” online interfaces work together with the personal advisors to help students find classes, check grades, and figure out what they need to do in order to graduate. Along with this, students have more and more opportunities to use these online advising supplements by themselves, without ever meeting face to face with a person. As with robotic assembly lines and digital phone operators, will it be that technology will gradually take the place, at least partially, of human advisors?

                Across the board, students within “arts and sciences’ said that they would not, in fact want to replace their advisors with only do it yourself style applications. Says sophomore Mike Stafford, “I would like to keep the split fifty-fifty with advisors and technology.” It is easy to see, when talking to Kathleen or Janna, or by watching them interact with a student, why this is. There is a unique relationship that exists between an advisor and their student. Often the word mentor is used as a descriptor for this relationship. However, mentor implies guidance in a specific direction, means to a certain end. What Kathleen Murphy, or Janna Zuroski, or Mary Beth Favorite describe, when they talk about advising is much more fluid. They describe watching timid freshman who have no idea what they are doing in college completely transform into essentially functional human beings. They describe watching them grow and take on challenges and responsibility.

                This process, in and of itself may not be unique to the “arts and sciences” advisors inherently, but there is a very unique dynamic involved. Since the college requires students to graduate with a major, no student will have their freshman advisor when they reach their senior year. The “arts and sciences” advisors exist like taxis to the airport; they are essential in transport, but never carry their students to the end of their journey. However, if you were to talk to Kathleen or Janna or any other “arts and sciences” advisor you would never see this as a negative. As Kathleen Murphy said about her fellow advisors, “The only people that are here are the ones that love what they do. The ones that don’t figure it out pretty quick and get out.”

                In such a challenging time for many students and young adults, advisors act as a small window of honesty and helpfulness and genuine compassion. The “arts and sciences” advisors specifically, deal with the most confused and direction seeking of these generally lost individuals. They teach them how to pick classes and how to use the god-forsaken technology Pittsburgh chooses to use. They act as resources and fountains of knowledge about anything from how to do taxes to where to get a paper revised to how long to cook a turkey. They mentor and teach and care about their students and will keep doing it as long as there are students sitting in the waiting room wondering which hallway to go down.